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Upon unearthing the dreams locked in Mother's saris:

not so impulsive–
wearing a plain petticoat,
mother has me ready when

our bare hands purge lengths of cloth, lengths of cloth
swirling around our hands
from the bowels of the iron clasp trunk.

dress up time:
mother hooks she tugs she wraps
she wraps I twirl, centrifuging
between her hands.

I am the twirling centrifuge–
a pallet of vanadium oxides winding
around my waist in
mustard. mendhi. vanda. topaz. lotus.
flushing roses against cobalt blue hips;
opaque iron (III), the brick red blouse;
the soft pink veil, like
delicate floral hexaaquamanganese
on net; I spin– mother wraps me,
a test tube mannequin,
in wet coppers, deep blue sulphates,
pleated orange peels, lemon zests of chromium;
zinc doves fluttering against my skin,
the turbulent silk
rises to my oesophagus

until I pause.
catch breath.
mother pins three pins,
she orbits, I orbit.
we are yes–
volatile,
but we never rust.
Creative Commons License
Some rights reserved. This work is licensed under a
Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.
:iconpoisonedrose:

Author's Comments

This poem, unlike the previous one, is meant to subvert the rules of syntax.


*I've edited it. I think it works a little better now.
**I've edited it even further. Should be my final draft now. Thanks to =bewareofthesnowman for his input. :)

Comments


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:icondecarabia69:
Absolutely beautiful and very descriptive. I can almost see you as a young girl playing with everything you find in the trunk. Your subversion of syntax was quite successful, thankf for sharing that, Joban! :)

--
"A work of art which did not begin in emotion is not art." ~ Paul Cézanne
:iconckp:
This has a lot of dynamism.
the racy movement makes it very enjoyable.
and it is is very communicative, visually too - at least to my Indian eye.
the tenderness, the forever-mystique-for-me of mother-daughter relationship is wonderfully portrayed with the heritage symbol of sari.

I am afraid I am not competrent about the technicalities of syntax.

[And, no criticism but more an observation , so take it in the right spirit - use of word 'bowels' three times in the first few lines, jars to me.]

--
ckp
discontent always
[link]
My Print Account
:iconeluk:
A truly beautiful poem, striking imagery brings it to life for me in a way that rarely happens. :) Thank you.

--
Simon
Smile and the whole world smiles with you :D
:iconpoisonedrose:
I'm glad you enjoyed it! I'm really happy with this one :)

--
-- J :butterfly:

:bulletblack:#Writers-Workshop:bulletblack:
:iconpoisonedrose:
Ah, I'm glad you found it 'racy' as it's more of a performative piece. When I read it aloud, I gain speed and the words merge together. :)

Mother-daughter relationships are just amazing when they're cultivated with care! It's the smallest, most insignificant moments that seem to mean the most.

I see what you mean about the 'bowels' thing. I was messing around with repetition, but that could be something to tweak so that it flows more smoothly.

Thank you for all of that. :)

--
-- J :butterfly:

:bulletblack:#Writers-Workshop:bulletblack:
:iconpoisonedrose:
Thanks so much, that really means a lot to me. :)

--
-- J :butterfly:

:bulletblack:#Writers-Workshop:bulletblack:
:iconeluk:
:)

--
Simon
Smile and the whole world smiles with you :D
:icondecarabia69:
Me too. I think you have a promising career in literature. :)

--
"A work of art which did not begin in emotion is not art." ~ Paul Cézanne
:iconpoisonedrose:
Gosh, I hope you're right!

--
-- J :butterfly:

:bulletblack:#Writers-Workshop:bulletblack:
:icondecarabia69:
If your personal writing is any indications of your determination, I'm sure you'll go far!

--
"A work of art which did not begin in emotion is not art." ~ Paul Cézanne

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October 22, 2007
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